Child of Eve
Child of Eve “Child of Eve” was inspired by C.S. Lewis’s The Lion, the Witch and the Wardrobe, in which he refers to the children as “Sons of Adam” and “Daughters of Eve.” This composition begins with a polyphonic texture that reflects the chaos of life on Earth. Gently flowing and overlapping, the music leads through the text and arrives at moments of homophony. The music climaxes at the words “Wondrous King,” encapsulating the moment at which a ‘Child of Eve’ enters the gates of heaven.
Child of Eve “Child of Eve” was inspired by C.S. Lewis’s The Lion, the Witch and the Wardrobe, in which he refers to the children as “Sons of Adam” and “Daughters of Eve.” This composition begins with a polyphonic texture that reflects the chaos of life on Earth. Gently flowing and overlapping, the music leads through the text and arrives at moments of homophony. The music climaxes at the words “Wondrous King,” encapsulating the moment at which a ‘Child of Eve’ enters the gates of heaven.
Child of Eve “Child of Eve” was inspired by C.S. Lewis’s The Lion, the Witch and the Wardrobe, in which he refers to the children as “Sons of Adam” and “Daughters of Eve.” This composition begins with a polyphonic texture that reflects the chaos of life on Earth. Gently flowing and overlapping, the music leads through the text and arrives at moments of homophony. The music climaxes at the words “Wondrous King,” encapsulating the moment at which a ‘Child of Eve’ enters the gates of heaven.